On the other hand, watching artists make art, seeing how they respond to pressure, and observing their problem-solving (and their meltdowns) makes for fascinating viewing.
And Saltz's behind-the-scenes essays about the show's inaugural season and subsequent direct engagement with hundreds of fans online have democratized the conversation in a way the art world has never exactly seen before, demonstrating that "normal" people are passionate about talking about art too.
"What's thrilling for me, " enthuses Saltz, louis vuitton antheia ixia that [the show is] an art world without ideology; it's an art world that encourages you to clear your mind and just engage your imagination, and not to worry so much about what your neighbor thinks.
" Chow agrees.
saving Work ofArt is "a step in the right direction, to have a little bit more culture out there on a mass level.
" Storr isn't having it.
"True populism, " he says, "would be something Louis Vuitton Galliera gm engaged the general public at the highest, rather than the lowest, denominator.
It would be something that actually engaged them and wasn't simply a spectacle, and it wouldn't be something you could see and immediately forget thereafter.
" Saltz, who received heavy flack from colleagues about his participation in the show-even as the season one finale drew a not-shabby 1.
48 million viewers-suggests that critics lighten up.
"I think guilty pleasures are wonderful, " he louis vuitton replica "The people who think this represents `the end of the art world as we know it' need to get a grip.
Pleasure is one of the most important forms of knowledge.
" As for whether the art world is watching, when I mention how difficult it is getting people from New York City museums to speak on the record about the show, he says, laughing, "Well, they certainly talk to me about it! ".
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